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Pascali

Antologia critica

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Filmography

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1958

  • Colour ad for Autonoleggi Maggiore (Car hire firm)

1959

  • Scenic design for an ad for the Algida Coppa Olimpia  ice-cream

1960

  • Vita col nonno (Life with granddad): two Carosello series in b/w for Algida, 12 pieces in all 

1961

  • Theme for Intermezzo. Lost
  • I Killers (The Killers), colour ad for Algida, later rejected; a pilot assembled by Sandro Lodolo introduces the characters of the series
  • Pronti, fuoco! (Ready, fire!), colour ad for Amadis cigarettes
  • Colour ads for the Maraldi bookshop (Saraceni production). Lost
  • Salvador, el matador del televisor, two Carosello series in b/w for Algida, broadcast between spring and summer of the following year. Sandro Lodolo was director of animation and scriptwriter while Pino Pascali conceived and designed the characters and also operated as set designer and scriptwriter, Niso Ramponi was the draughtsman, Gianfranco Modestini the photographer and Massimo Saraceni the producer. The voice of Salvador was that of Elio Pandolfi

1962

  • Fin dai tempi della preistoria... ,(Since prehistoric times…) colour ad for Confezioni Monti
  • Che posizione! (What a position!), colour ad for the sleeper cars of the Ferrovie dello Stato
  • Colour ad for the “Arrigoni” products
  • A live colour film, produced by Massimo Saraceni for the Radio subscription competition campaign, Una piccola spesa (A small outlay), with Renzo Palmer. Shot in Saraceni’s studio, Pascali’s works can be seen on the walls

1963

  • Theme for Tic-Tac, in collaboration with Sandro Lodolo
  • 777, colour ad for Amadis cigarettes
  • Storia del treno (History of the train), colour ad for the Ferrovie dello Stato;
  • Bacco, Carosello series in b/w for Sutter’s Marga floor wax, broadcast in January and February 1963. Produced by Massimo Saraceni, Niso Ramponi was director, draughtsman and director of animation, Sandro Lodolo supervisor and scriptwriter, Pino Pascali set designer
  • I Posteros, series of colour ads for “Intermezzo”;
  • Un dolce sogno (A sweet dream), colour ads for Torrone Alberti (nougat);
  • Colour ads for Getto, an insecticide made by Squibb;
  • Popcorn story, colour ad for M.I.M. Mobili (furnishings)

1963-1965

  • Colour ads for the Curcio Atlas, Argo Stufa, Carta Sana and Kookoock

1962-1964

  • Il Cafffé con tre effe (Coffee with three fs), three series of colour ads for cinema for Camerino coffee. Concept and graphics by Pino Pascali, directed by Sandro Lodolo, produced by Massimo Saraceni

1964

  • TV theme Prima pagina and Prima pagina (Front page), in collaboration with Sandro Lodolo
  • Assistant set designer for a series of b/w musicals directed by Antonello Falqui, produced by the Biblioteca di Studio Uno, RAI TV:
    • Conte di Montecristo (The Count of Montecristo): the design of a whale on a sign in the port is by Pascali;
    • Odissea (Odyssey): the tails of the sirens (played by the Kessler twins) and the sea; the life-like but gigantic objects in the cave of the cyclops Polyphemus – a bow, a comb and a bowl – are all by Pascali;
    • Primula Rossa (The Scarlet Pimpernel);
    • La storia di Rossella O'Hara (The story of Rossella O’Hara);
    • Tre Moschettieri (The Three Musketeers);
    • Al Grand'Hotel (At the Grand Hotel);
    • Fornaretto di Venezia (The Baker of Venice).

1964-1966

  • Studies, screenplay and photos for a Carosello series for “Conserve e Confetture Arlecchino” (jams and conserves), broadcast in the first three months of 1966, directed by Enrico Sannia;
  • Theme for “Prima pagina” (Front page)

1964-1965

  • Africa and Giappone (Japan), two series of colour ads for the RAI Radiotelefortuna subscription competition campaign
  • La taglia (The ransom), live colour film produced by Massimo Saraceni for Monti clothing. Pino Pascali is a cowboy who dies in the first scene

1965

  • Theme for the TV broadcast “Incontri”
  • Studies, screenplay and photos for a Carosello series for Cirio, broadcast in the first and last quarter of 1966: Questo è il paese del sole ( This is the land of sunshine). Agency Ted Bates, production Massimo Saraceni, Sandro Lodolo and Pino Pascali directors and scriptwriters, Gianfranco Modestini photographer, Alessandro Alessandroni music. Pascali played the pazzariello (a sort of cross between town-crier and sandwich man, specific to Naples)
  • Pino Pascali, documentary produced by the Galleria Nazionale d'Arte Moderna, Rome. Directed by Abate and Matteucci

1966

  • Actor in “Gioco” (Game), directed by Giosetta Fioroni
  • Actor playing Pulcinella and Pazzariello for the Cirio ad, with concept and screenplay by himself, directed by Enrico Sannia

1966-1967

Four Carosello series in black and white for Maggiora biscuits, Il nonno racconta (Granddad’s story), broadcast in the third and fourth quarters of the 1966 and in the first and third quarters of 1967. Relè Agency, production Massimo Saraceni, directed by Enrico Sannia, Benito Frattari was the director of photography, music by Sergio Pagoni and Alessandro Alessandroni, the theme and screenplay were by Pino Pascali, who also designed the puppets that he operated with his own hands. Initially Pascali had designed a more complex set of puppets, which Lodolo still has, and more complicated stories. What eventually emerged was a compromise between Saraceni and Pascali; however Donatella Morandi tells us that Pascali enjoyed himself greatly operating the puppets himself and writing the stories.

1967

  • Theme for TV7, in collaboration with Sandro Lodolo
  • Theme for Prossimamente

1968

  • Actor in the film SKMP2, directed by Luca Patella, produced by Luca Patella & L'Attico of Rome
  • Actor in the film Libro dei Santi di Roma eterna (Book of Saints of Eternal Rome), directed by Alfredo Leonardi. Featuring as well as Pascali, Peter Hartmann, Jannis and Efi Kounellis, Eliseo Mattiacci, Ettore Rosboch and Mario Schifano. 16 mm, colour film, 15'
  • Study for the characters of I postoro's taken up again by Sandro Lodolo for an “Intermezzo” theme after Pascali’s death

1993-1996

  • Pino Pascali o la trasformazione del serpente (Pino Pascali or the transformation of the snake), by Marco Giusti, RAI production

Undated

  • Ritratto di uno scultore (Portrait of a sculptor), positive copy in b/w, single reel 210 m, time 18' 23'', 16 mm
  • Pino Pascali, documentary, directed by Agostino Bonomi, photography Luigi Quattrini, Sandro Brugnolini, Carone Cinematografica

RADIO PROGRAMME

1983

Io sono un bambino selvaggio (I am a wild boy), radio programme by S. Fizzarotti and V. Bonomo, directed by Lino Di Turi. Interviews with Pino Pascali’s parents and Achille Bonito Oliva, conducted by Ettore De Marco. Radio programme broadcast regionally from the RAI station in Bari in two episodes, June

 

Biography

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Pascali4Pino Pascali was born in Bari on 19 October 1935. His father, a police officer, was transferred with his wife and son to Tirana in Albania between 1940 and 1941. The war, seen from close up, was to remain one of the strongest impressions of his childhood. Afterwards the family moved back to Polignano a Mare, Bari. In 1955 Pino left the science-oriented school in Bari that he was attending to go to Naples, where he took his leaving certificate at a secondary school specialised in the arts.
In 1956 he enrolled at the Accademia di Belle Arti in Rome, on the scenic design course held by Peppino Piccolo with the help of his assistant Fabio Vergoz. Pino Pascali was a pupil of Toti Scialoja, a teacher who was capable of captivating the attention of his students and stimulating them to think not only about the theatre, but about figurative art in general, literature and contemporary philosophy. During his time at the Accademia, he began to frequent the artists of the Piazza del Popolo group, as it was named by Lorenza Trucchi and Alberto Arbasino. In those years Pascali took part in a number of collective shows for young artists: 1956, the Painting Exhibition at the Istituto Tommaseo di Tivoli; 1956, Second Exhibition “Pennello d'argento” at the Circolo Culturale delle Vittorie in Rome; 1959, Scenic Design Show, at the 2nd Festival dei Due Mondi in Spoleto. He loved paradox, being unconventional, gestures designed to stun; he went round Rome in an old banger, always dressed in black, explosive and intolerant of rules; he would stand entranced before the cages at the zoo or toy shop windows. He kept assiduously up to date with the cultural life of the city, attending the series of lectures on contemporary art at the Galleria Nazionale di Arte Moderna.

Read more...
 

Works by Pino Pascali in museums

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ITALY

GAM - Galleria Civica d'arte moderna e contemporanea, Turin
http://www.gamtorino.it/descopera.php?id=397&lang=1

  • Labbra rosse (Omaggio a Billie Holiday), 1964
    Red lips (Tribute to Billie Holiday), 1964
    painted cloth and enamels on cementite and wood, 121x164x22 cm, Inv. FD/63
    Inscription on rear: "Giuseppe Pascali 64"

GNAM - Galleria Nazionale d'Arte Moderna, Rome
http://www.gnam.beniculturali.it/index.php?it/23/opere

  • Requiescat (In pace Corradinus), 1965
    Wood, plush and cloth painted with enamels, 249x165.5x54 cm
  • Primo piano labbra, 1965
    Close up of lips, 1965
    enamelled cloth stretched over wooden structure, 165x165x30 cm
  • Torso di negra, 1964-1965
    Torso of black woman, 1964-1965
    enamelled cloth stretched over wooden structure with air space, 160x90x20 cm

MACRO – Museo d'arte contemporanea, Rome

Museo Civico Fattori, Livorno

  • Grande rettile, 1967
    Large reptile, 1967

Museo Comunale d'arte moderna, Spoleto
http://www.spoletopermusei.it/Generale1.aspx?S6

  • Coda di cetaceo, 1966
    Tail of cetacean, 1966
    black cloth over wooden structure

Museo Comunale d'arte moderna, Avezzano (L'Aquila)

Palazzo Pino Pascali – Museo Comunale d'arte contemporanea, Polignano a mare, Bari
http://www.palazzopinopascali.it/fe/museo/catalogo/catalogo_cat.php?parent=000008&idCat=000018

  • Balena, 1966
    Whale, 1966
    sculpture project in white cloth over wooden frame
    head: 200x100x100 cm tail: 300x100x100 cm
  • Pulcinella, 1963/1964
    22 photos shot and printed by Pascali, 24x30 cm each
  • U.S.A. Army, 1966
    blueprint, 100x400 cm
  • Studio della chiesa di San Nicola di Bari, 1956/1959
    Study of the church of San Nicola di Bari, 1956/1959
    two drawings in black Indian ink on paper, 28x20 cm each

IN THE WORLD

Centre George Pompidou, Paris
http://collection.centrepompidou.fr/Navigart/index.php?db=minter&qs=1

  • Le penne di Esopo, 1968
    Aesop’s feathers
    entwined feathers and steel wool mounted on a wooden board
    diam 150 cm depth 35 cm

MUMOK - Museum Moderner Kunst Ludwig Stiftung, Vienna

  • Vedova blu, 1968
    Blue widow, 1968
    Acrylic pile on wooden structure, diam 280 cm 

Musée d'art Moderne et Contemporaine, Strasburg
http://www.musees-strasbourg.org/F/musees/mamcs/mamcs_oc.html#CONTEMPORAINES

  • Cascate, 1966
    Waterfalls, 1966
    cloth on wooden structure, 260x460x102 cm

Museum of Modern Art, Osaka

  • Mare, 1966
    Sea, 1966
    White cloth on wooden frames, 25 elements
    600x400x25 cm